Media Condition: Near Mint (NM or M-)
Sleeve Condition: Near Mint (NM or M-)
Notes:
Selection number shown on Disc 1: SM2K 89370/89371
Selection number shown on Disc 2: SM2K 89370/89372
Tracks 1-5, 1-8, 1-11, 1-21, 2-9 and 2-17 – Producer not documented
1-1. Columbia Symphony Orchestra, Thomas Schippers – Prelude To Act 1 of La Travista 3:59
1-2. The London Symphony Orchestra, James Conlon – “O Mio Babbino Caro” from Gianni Schicchi 2:17
1-3. Orchestra of the Municipal Theater of Rio de Janiero, John DeMain – “E Lucevan Le Stalle” from Tosca 2:46
1-4. The London Symphony Orchestra, James Conlon – “Signore, Ascolta” from Turandot 2:40
1-5. The Metropolitan Opera House Orchestra, Metropolitan Opera Chorus, Georges Sebastian – Habanera from Carmen 3:21
1-6. Orchestra Del Maggio Musicale Fiorentino, Zubin Mehta – “Sull’ Aria… Che Soave Zeffiretto” from The Marriage Of Figaro 2:57
1-7. The London Symphony Orchestra, Gianandrea Gavazzeni – “Chi Il Bel Di Doretta” from La Rondine 3:07
1-8. The London Symphony Orchestra, John Georgiadis – Intermezzo from Cavalleria Rusticana 2:58
1-9. The London Philharmonic Orchestra, John Pritchard – “Vissi D’Arte” from Tosca 3:34
1-10. Chamber Orchestra of the Vienna State Opera, Nello Santi – “Celeste Aida” from Aida 4:33
1-11. The Metropolitan Opera House Orchestra, Emil Cooper – “M’appari Tutt’amor” from Martha 3:02
1-12. Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis – Polovtsian Dance from Prince Igor (Excerpt) 2:26
1-13. Children’s Chorus Of Cologne Opera, Gürzenich-Orchester Kölner Philharmoniker, John Pritchard – Children’s Prayer from Hansel And Gretel 2:34
1-14. The Ambrosian Opera Chorus, Philharmonia Orchestra, Lorin Maazel – Humming Chorus from Madame Butterfly 3:14
1-15. The Welsh National Opera Orchestra, Carlo Rizzi – “Una Furtiva Lagrima” from L’elisir D’amore 4:49
1-16. Tokyo Metropolitan Symphony Orchestra, Kazuhiro Koizumi – Meditation from Thaïs 4:42
1-17. Chamber Orchestra of the Vienna State Opera, Pierre Dervaux (2) – Flower Song from Carmen 3:54
1-18. The New York Philharmonic Orchestra, André Kostelanetz – Barcarolle from Tales Of Hoffmann 2:40
1-19. Philharmonia Orchestra, John Pritchard – “Sì, Mi Chiamano Mimi” from La Bohème 5:23
1-20. The English National Opera Orchestra, James Conlon – “Avant De Quitter Ces Lieux” from Faust 3:25
1-21. Orchestra Sinfonica Dell’Emilia Romagna “Arturo Toscanini”, Emerson Buckley – “Amor Ti Vieta” from Fedora 1:52
1-22. The Royal Philharmonic Orchestra, Sir Charles Mackerras – “Prendi, Per Me Sei Libero” from L’elisir D’amore 3:42
2-1. La Grande Ecurie Et La Chambre Du Roy, Jean-Claude Malgoire – “Ombre Mal Fù” from Xerxes 2:46
2-2. Les Musiciens De L’Opera, Paris, Eugene Kohn – “Là Ci Darem La Mano” from Don Giovanni 3:25
2-3. La Grande Ecurie Et La Chambre Du Roy, Jean-Claude Malgoire – “Lascia Ch’io Panga” from Rinaldo 4:35
2-4. The Philadelphia Orchestra, Eugene Ormandy – Dance Of The Blessed Spirits from Orfeo Ed Euridice 3:32
2-5. Orchestra Del Maggio Musicale Fiorentino, Zubin Mehta – “Porgi, Amor…” from The Marriage Of Figaro 4:14
2-6. Chamber Orchestra of the Vienna State Opera, Pierre Dervaux (2) – “Je Crois Entendre Encore” from The Pearl Fishers 5:05
2-7. National Philharmonic Orchestra, Leopold Stokowski – Intermezzo From Carmen 3:09
2-8. The London Symphony Orchestra, Gianandrea Gavazzeni – “Ebben? Ne Andrò Lontana” from La Wally 4:05
2-9. The Metropolitan Opera House Orchestra, Fausto Cleva – “Adieu, Notre Petite Table” from Manon 4:20
2-10. The Opera Orchestra Of New York, Eve Queler – “Adieu, Mio Dolce Amor!” from Edgar 3:56
2-11. The London Philharmonic Orchestra, John Pritchard – “Connais-tu Le Pays?” from Mignon 5:32
2-12. Orchestra of the Municipal Theater of Rio de Janiero, John DeMain – “Mon Coeur S’ouvre À Ta Voix” from Samson Et Dalila 5:48
2-13. The London Philharmonic Orchestra, John Pritchard – “Un Bel Di” from Madame Butterfly 4:33
2-14. Orchestra Of The Age Of Enlightenment, Mark Elder (2) – “Sorgi, O Padre, E La Figlia Rimira” from Bianca E Fernando 5:20
2-15. New Philharmonia Orchestra, Georges Prêtre – “Depuis Le Jour” from Louisa 4:44
2-16. The English National Opera Orchestra, James Conlon – “Wie Todesahnung Dämmrung Deckt Die Lande… O Du, Mein Holder Abendstern” from Tannhäuser 4:53
2-17. Orchestra Sinfonica Dell’Emilia Romagna “Arturo Toscanini”, Emerson Buckley – “Nessun Dorma” from Turandot 3:08
Barcode 6 9699-89370-2 4
Matrix / Runout DIDP-101118 1
Matrix / Runout DIDP-101119 1 A02
Mastering SID Code IFPI L323
Mould SID Code IFPI 501F
Mould SID Code IFPI 500F
Distributed By Sony Music
Manufactured By Sony Music Entertainment Inc.
Phonographic Copyright (p) Sony Classical
Phonographic Copyright (p) Sony Entertainment Holdings GmbH
Phonographic Copyright (p) Sony Music Entertainment (Japan) Inc.
Phonographic Copyright (p) Sony Music Entertainment Inc.
Copyright (c) Sony Music Entertainment Inc.
Glass Mastered At DADC
Glass Mastered At DADC